Funded by
the European Union

This website was created and maintained with the financial support of the European Union.
Its contents are the sole responsibility of the Goethe-Institut Istanbul and do not necessarily reflect the views of the European Union.

TR

Have You Seen This Painting? / ‘Έχετε δει αυτή τη ζωγραφιά; / Avez-vous vu ce Tableau?

Mayıs 2026-Nisan 2027
İstanbul

The project "Have You Seen This Painting? / ‘Έχετε δει αυτή τη ζωγραφιά; / Avez-vous vu ce Tableau?" aims to weave connections between different forms and layers of loss. An oil painting by the artist İbrahim Çallı, titled *Nude*, which is part of the collection of the Ankara Museum of Painting and Sculpture, is no longer on display following the museum’s renovation. In fact, not a single nude work is currently exhibited at the museum. The removal of representations of the female body from the public sphere may, at best, indicate that the work has been moved into storage; at worst, it evokes the many other artworks that have “disappeared” over the years, having potentially been sold unofficially and without being recorded.

The project’s other main axis focuses on personal and collective forms of loss through the stories of Agati, a Greek model who posed at the Academy in the 1940s—including for this particular work—and her daughter Ketty. The experiences of the late Agati and her daughter Ketty, now 76, who was forced to migrate to Athens in the early 1960s, point to the “disappearance” of the Greek community from Istanbul and Turkey, as well as to the losses experienced by contemporary Turkish society in terms of diversity and collective memory.

Gözde Mimiko Türkkan

Gözde Mimiko Türkkan (1984, Türkiye), based in Istanbul, graduated from the Photography and Video BA programme at Istanbul Bilgi University and completed her MA in Fine Arts at Central Saint Martins, University of the Arts London. Working primarily with video and performance, her interdisciplinary practice explores issues of gender roles, the body, resilience and resistance, power, and violence. In her recent work, waves serve as a conceptual framework through which bodily, emotional, and political forces are considered, proposing a more fluid, constantly transforming, relational, and non-binary perspective on the world and human relationships.

Working locally and internationally for more than fifteen years, Mimiko gained broader recognition with the extensive presentation of her video work Earth Fight in Türkiye, France, Spain, Greece, and Italy. In 2024, she participated in the artist residency programme at the Cité Internationale des Arts in Paris and took part in the 15th Havana Biennial (2024, Cuba) and the 15th Shanghai Biennale (2025, People’s Republic of China). She was also invited by the Council of Europe as a speaker at the 2025 World Forum for Democracy.

Connections:

https://mimiko.net

www.instagram.com/mimikoturkkan 

This page is published on 20 August 2026.