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the European Union

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TR

Forms of Silence

April 2026 - February 2027
MUĞLA

This project addresses female identity not as an individual space of representation, but as a multi-layered structure formed at the intersection of social, cultural, and historical memory, aiming to create an open space for cultural dialogue and social participation. The interdisciplinary production process, encompassing printmaking, ceramics, and glass sculpture, creates a plural interpretive space where viewers with diverse experiences and cultural backgrounds can connect with their own personal and collective memories.

The project specifically aims to increase the visibility of women's experiences in the public sphere and to include narratives often suppressed or limited by normative frameworks into artistic circulation. In this context, artistic practice functions as a tool for freedom of expression and contributes to the transformation of individual experience into a collective space of sharing. Themes of bodily memory, intergenerational transmission, and invisible labor invite the viewer from a passive observer position to an intellectual and emotional partnership.

From a cultural dialogue perspective, the project proposes an open and pluralistic structure that allows viewers from diverse social contexts to relate what they see to their own experiences, rather than presenting a singular identity narrative. The diversity of materials and techniques enables the formation of a common language through universal themes such as fragility, resilience, and transformation. This approach aims to create a space for empathetic encounters between people with diverse cultural experiences.

In terms of social participation, the project re-imagines the exhibition space not merely as a place for presenting artworks, but as an interactive environment where viewers can intellectually integrate their own experiences into the fabric of the project. This process strengthens art's potential for dialogue in the public sphere and supports the idea of ​​the coexistence of multiple voices, which is fundamental to democratic processes.

Shahnaz Aghayeva

Shahnaz Aghayeva is an Azerbaijani-born artist working within a broader transnational context shaped by post-Soviet memory. Her interdisciplinary practice addresses women's memory as a system of transmission where the body functions as an unstable archive shaped by inheritance, rupture, and repetition. She positions the body as a living archive and the female figure as a carrier of coded history. Through material-focused processes (printmaking, ceramics, glass, and installation), she creates spatial and tactile narratives that reveal how time is embodied, transported, and reactivated across generations. Aghayeva has participated in international exhibitions in Europe and Asia, including platforms such as the London Art Fair, Affordable Art Fair, and Contemporary Istanbul. Her work has also been presented in institutional contexts such as the National Museum of Fine Arts of Taiwan. Her works are also included in public collections including the National Museum of Fine Arts of Taiwan, IMOGA Istanbul Graphic Arts Museum, and Gala Museum Complex. After completing her undergraduate and graduate studies at the Azerbaijan State Academy of Fine Arts, she further developed her work in the field of Contemporary Art at YARAT.

Connections:

https://www.instagram.com/schachnas
https://www.facebook.com/schachnas 

This page is published on 20 August 2026.